On eating vegetarian in Germany

John Scalzi is back from Germany, and he says he’s happy that I was not a vegetarian. In comments, someone agrees.

There’s a pervasive myth that German food consists entirely of meat, notably in the form of sausage. I can assure you it doesn’t. It’s true that a lot of the traditional recipes are based on meat, and there are a lot of sausages, but there are a lot of other options. Yes, even in traditional restaurants.

I’ve been vegetarian since 1993. I spent my junior year of college (1996-97) living in Germany. I had, frankly, a much easier time eating vegetarian there than I did in my college’s dining hall in Pennsylvania, or than I do eating here in North Carolina — where even the vegetables have meat in them (often in the form of a hambone thrown in, or bits of bacon), at least in traditional Southern restaurants. Germans caught on to the organic food thing much earlier than Americans. I had probably the best soy sausage in my life while I was living in Marburg, picked up at a Bioladen (organic food shop) and grilled for Canada Day (one of my neighbors was Canadian).

When in Germany, if I’m staying in a pension (akin to a B&B), I eat the traditional breakfast: rolls, cheese, butter, jam, Nutella, quark, muesli, soft-boiled eggs. Everything except the cold cuts. If I’m in a hotel, I’ll pop over to a bakery or cafe and get a pastry or two: nut-nougat croissant, pretzel roll, cheese roll. Left to my own devices (with a kitchen and grocery store), I eat the same thing I do here: cereal and milk.

For lunch, there’s always falafel or vegetarian döner, pizza, sandwiches from the bakery (or your own kitchen), or whatever sounds interesting. For dinner, you can sit down anywhere. I’ve had really good Indian food in Munich, a nice Mission-style burrito in Berlin, vegetarian Maultaschen (also in Berlin), spinach strudel, baked pasta casserole, South Asian fusion (also in Berlin), amazing brown butter tortellini (in Berlin), delicious cheese spaetzle in Vienna…

I think you get the point by now, and I’m not the only one who’s had a relatively easy time eating as a vegetarian in Germany. The folks at Happy Cow have a section for Germany to help you out, and I’ve found that Lonely Planet guides are good at pointing out places that have veg*n options as well as listing some straight-up veg*n places. (They’re my favorite guide books, and they’ve never steered me wrong.)

Posted in food, germany | Tagged , | 4 Comments

Book review: Master and Commander

Master and Commander, Patrick O'Brian. 1970.

Since I enjoy space opera, I've been told many times I need to read this series, since, really, space opera is a riff on the Age of Sail (in space!). After giving David Drake's futuristic take on this source a go, I thought I'd give this a try.

Captain Jack Aubrey, British Navy, meets Stephen Maturin, a doctor and naturalist, and persuades him to join his ship as its surgeon. They sail through the Mediterranean a lot and fight the French (and maybe also the Spanish? I was never very clear on that, and the whole Napoleonic Era is largely skipped in US high school curricula). There's also a subplot about the Irish Catholic rebellion.

I'd been warned about the quantity of ship-talk, but, man, that was more than I expected. There were entire pages I had no idea what was going on, except they were talking about topsails, mainsails, gallants, topgallants, royals, studdingsails, staysails, masts, yards, xebecs, snows, sloops, frigates, and cannons. "Oh, they're doing something with the ship again," was basically my take-away from it. That was fine when all they were doing was setting the rigging, but when it was important to what was going on, like during the naval battles, the result is just confusion. The only time I understood what was going on was when Jack was explaining in normal-people language to Stephen.

It's meticulously researched and written in meticulous 1810-era British navy slang and jargon. If you can handle that sort of thing, have at it. I find that it's too hard to wade through, honestly. Needs more spaceships.
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Book review: Master and Commander

Master and Commander, Patrick O’Brian. 1970.

Since I enjoy space opera, I’ve been told many times I need to read this series, since, really, space opera is a riff on the Age of Sail (in space!). After giving David Drake’s futuristic take on this source a go, I thought I’d give this a try.

Captain Jack Aubrey, British Navy, meets Stephen Maturin, a doctor and naturalist, and persuades him to join his ship as its surgeon. They sail through the Mediterranean a lot and fight the French (and maybe also the Spanish? I was never very clear on that, and the whole Napoleonic Era is largely skipped in US high school curricula). There’s also a subplot about the Irish Catholic rebellion.

I’d been warned about the quantity of ship-talk, but, man, that was more than I expected. There were entire pages I had no idea what was going on, except they were talking about topsails, mainsails, gallants, topgallants, royals, studdingsails, staysails, masts, yards, xebecs, snows, sloops, frigates, and cannons. “Oh, they’re doing something with the ship again,” was basically my take-away from it. That was fine when all they were doing was setting the rigging, but when it was important to what was going on, like during the naval battles, the result is just confusion. The only time I understood what was going on was when Jack was explaining in normal-people language to Stephen.

It’s meticulously researched and written in meticulous 1810-era British navy slang and jargon. If you can handle that sort of thing, have at it. I find that it’s too hard to wade through, honestly. Needs more spaceships.

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World Beer Festival, Durham, 2011

These are my notes from this year. I didn't take very detailed notes, because I, in a fit of talent and rushing out the door, forgot both my pen and my carefully-planned list of booths I wanted to hit. I managed to recreate it on my phone, at least. A bit of a pain in the ass, but what can you do?

Unibroue, Quebec, Canada: Don de Dieu (tripel) I tried this toward the end of the night, and I remember it being good. Fruity and sweet, like most tripels.

Legend Brewing, Richmond, VA: Tripel: nice, drinkable. Quad: fucking amazing. I passed this one around, and everyone liked it (even Ben, who isn't into quads), then I had to get more, because I didn't have any left.

Kind Beers, Charlotte, NC: Belgian Style red ale: Mo got this, and I had a sip. It was awful. Very bitter and unpleasant.

North Coast Brewing Co, Fort Bragg, CA: La Merle (Belgian specialty ale): It was fruity and pleasant, and it had a thick mouthfeel. I had a sip of Enne's Brother Thelonious (Belgian dark strong ale), and it was as good as I remembered it.

Kuhnhenn Brewing Co, Warren, MI: I wanted to try their White Devil (imperial white), but they didn't have it. The imperial creme brulee java stout was really good, though it had a strong coffee bitterness (unlike the Southern Tier creme brulee stout). So I tried the Simcoe Silly (Belgian/American hybrid) and strongly disliked it.

Timmermans Brouwerij, Dilbeer-Itterbeek, Belgium: Bourgougne des Flanders (Flanders brown ale). When I got the sample, the pourer said, "It's sour, just warning you." I told him I drink straight Berliner Weisse, which is really damn sour, so bring it on. This was easily my favorite beer of the night, with Legend's quad in a very close second. It wasn't very sour; I'd argue that it's not sour at all, but someone who doesn't enjoy sour beers might disagree. [Interestingly, Belgian whites/wit beers are also technically sour beers, though I don't find them sour at all. I can kind of taste it if I think about it while drinking one. Lambics are another popular sour style.] It had a fruity note to it, and a heavy, thick mouthfeel. Very, very nice.

Mystery Brewing, Hillsborough, NC. I sponsored their Kickstarter project last year or the year before, so I had to go try their beer. I tried the Langhorne (rye wit), and it was odd. It tasted like a wit, but it had an unfamiliar note to it, which was the rye. I'd try it again to see if I liked it. Sadly, the beer we all wanted to try, the Six Impossible Things chocolate breakfast stout, had fallen victim to a catastrophic beersplosion. Ben got the Queen Anne's Revenge (black IPA), and I think he said he hated it less than other black IPAs he'd tried. (Neither of us is a fan of IPAs in general; they're victim to the American craft brewers' belief that MOAR HOPS is better. Yuck.)

Bull City Burger and Brewery, Durham, NC. Pro Bono Publico (porter): All I have written down is "bitter."

Aviator Brewing Company, Fuquay Varina, NC. Devil's Tramping Ground (tripel). I don't know if the batch was off or if it had gotten skunked (or if they gave me the wrong one), but this was very unpleasant. It wasn't like a tripel at all.

Roth Brewing, Raleigh, NC. Forgotten Hollow cinnamon porter: I still love this beer. I first tried it when I went to the Flying Saucer one time when my dad was in town and they had it on draft. It's kind of like drinking autumn. Their Dark Construct stout was nice, though it's not going to be my new favorite stout. Ben really enjoyed it.

Palm Brouwerij, Steenhuffel, Belgium. Palm (Belgian amber ale). Dear readers, I poured this one out.

Boulevard Brewing Co, Kansas City, MO. The Sixth Glass (quadrupel): Not as nice as the Legend quad, but it still had a good flavor and modest sweetness to it.

Holy Mackerel Beers, Fort Lauderdale, FL. Panic Attack (Belgian Strong): very sweet, thick mouthfeel. Special Golden Ale: good, but not as sweet.

Anderson Valley Brewing Company, Boonville, CA. Winter Solstice (seasonal ale): tasted like Christmas spiced cider. It was really good. This would probably be my third favorite new beer.

Number of beers sampled: 18 (plus refills on two of them, one of them twice...)
Top three samples: Timmerman's Bourgogne des Flanders; Legend's quad; Anderson Valley's Winter Solstice.
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World Beer Festival, Durham, 2011

These are my notes from this year. I didn’t take very detailed notes, because I, in a fit of talent and rushing out the door, forgot both my pen and my carefully-planned list of booths I wanted to hit. I managed to recreate it on my phone, at least. A bit of a pain in the ass, but what can you do?

Unibroue, Quebec, Canada: Don de Dieu (tripel) I tried this toward the end of the night, and I remember it being good. Fruity and sweet, like most tripels.

Legend Brewing, Richmond, VA: Tripel: nice, drinkable. Quad: fucking amazing. I passed this one around, and everyone liked it (even Ben, who isn’t into quads), then I had to get more, because I didn’t have any left.

Kind Beers, Charlotte, NC: Belgian Style red ale: Mo got this, and I had a sip. It was awful. Very bitter and unpleasant.

North Coast Brewing Co, Fort Bragg, CA: La Merle (Belgian specialty ale): It was fruity and pleasant, and it had a thick mouthfeel. I had a sip of Enne’s Brother Thelonious (Belgian dark strong ale), and it was as good as I remembered it.

Kuhnhenn Brewing Co, Warren, MI: I wanted to try their White Devil (imperial white), but they didn’t have it. The imperial creme brulee java stout was really good, though it had a strong coffee bitterness (unlike the Southern Tier creme brulee stout). So I tried the Simcoe Silly (Belgian/American hybrid) and strongly disliked it.

Timmermans Brouwerij, Dilbeer-Itterbeek, Belgium: Bourgougne des Flanders (Flanders brown ale). When I got the sample, the pourer said, “It’s sour, just warning you.” I told him I drink straight Berliner Weisse, which is really damn sour, so bring it on. This was easily my favorite beer of the night, with Legend’s quad in a very close second. It wasn’t very sour; I’d argue that it’s not sour at all, but someone who doesn’t enjoy sour beers might disagree. [Interestingly, Belgian whites/wit beers are also technically sour beers, though I don't find them sour at all. I can kind of taste it if I think about it while drinking one. Lambics are another popular sour style.] It had a fruity note to it, and a heavy, thick mouthfeel. Very, very nice.

Mystery Brewing, Hillsborough, NC. I sponsored their Kickstarter project last year or the year before, so I had to go try their beer. I tried the Langhorne (rye wit), and it was odd. It tasted like a wit, but it had an unfamiliar note to it, which was the rye. I’d try it again to see if I liked it. Sadly, the beer we all wanted to try, the Six Impossible Things chocolate breakfast stout, had fallen victim to a catastrophic beersplosion. Ben got the Queen Anne’s Revenge (black IPA), and I think he said he hated it less than other black IPAs he’d tried. (Neither of us is a fan of IPAs in general; they’re victim to the American craft brewers’ belief that MOAR HOPS is better. Yuck.)

Bull City Burger and Brewery, Durham, NC. Pro Bono Publico (porter): All I have written down is “bitter.”

Aviator Brewing Company, Fuquay Varina, NC. Devil’s Tramping Ground (tripel). I don’t know if the batch was off or if it had gotten skunked (or if they gave me the wrong one), but this was very unpleasant. It wasn’t like a tripel at all.

Roth Brewing, Raleigh, NC. Forgotten Hollow cinnamon porter: I still love this beer. I first tried it when I went to the Flying Saucer one time when my dad was in town and they had it on draft. It’s kind of like drinking autumn. Their Dark Construct stout was nice, though it’s not going to be my new favorite stout. Ben really enjoyed it.

Palm Brouwerij, Steenhuffel, Belgium. Palm (Belgian amber ale). Dear readers, I poured this one out.

Boulevard Brewing Co, Kansas City, MO. The Sixth Glass (quadrupel): Not as nice as the Legend quad, but it still had a good flavor and modest sweetness to it.

Holy Mackerel Beers, Fort Lauderdale, FL. Panic Attack (Belgian Strong): very sweet, thick mouthfeel. Special Golden Ale: good, but not as sweet.

Anderson Valley Brewing Company, Boonville, CA. Winter Solstice (seasonal ale): tasted like Christmas spiced cider. It was really good. This would probably be my third favorite new beer.

Number of beers sampled: 18 (plus refills on two of them, one of them twice…)
Top three samples: Timmerman’s Bourgogne des Flanders; Legend’s quad; Anderson Valley’s Winter Solstice.

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Movie review: Space Battleship Yamato (2010 live action)

I imprinted on Leiji Matsumoto's works at a very early age. I was about 5 (we only had HBO for a year), and I was watching the cartoons they showed one day. There was a kid, a space train, and this woman with long blonde hair, which was all I could remember about it until I found a VHS (remember those?) of Galaxy Express 999 at Suncoast (remember them?) when I was in college. Those were the days when you had to pay extra for the "collector's edition," which was Japanese audio with subtitles, because those letters were really expensive.

Back in the 80s, Matsumoto's other main work, Space Battleship Yamato, was dubbed into English and shown on American TV as Star Blazers, renaming ace pilot Kodai Susumu to Derek Wildstar. (I almost put Rick Hunter there, but that's what Ichijou Hikaru ended up as in Robotech, the US adaptation of Macross.) This fan site has plot summaries.

Last December, the live action movie was released in theaters, starring quite a few famous Japanese actors like Kimura Takuya (from the J-drama and movie Hero, about a lawyer, among other things). They made a few changes, notably making Dr Sado, of the bottle of sake and large orange cat, a woman, making it a little less of a sausage-fest. Still, there are only three named women on the Yamato: Sado, Mori Yuki, and the one whose name I forget but who's one of the Black Tigers.

It's the year 2199, and about five years ago, meteor bombs started hitting the Earth, making the surface too irradiated to live on and sending people underground to try to eke out a living. Humanity is fighting off Gamilas attacks, and everything they do, the Gamilas adapt to counter them. Captain Okita is leading an assault/defense force at Mars, and the Gamilan fleet is too strong for their weaponry. Kodai Mamoru, captain of the Yukikaze, uses his ship as a shield to allow Okita to escape and take the news to Earth.

Kodai Susumu is a scavenger. He goes out looking for metal to take to the military. While he's out scavenging, a strange object falls from the sky and knocks off his protective gear. He picks it up and mysteriously survives the deadly radiation levels. At the same time, Okita's ship returns. He takes the object to the military, and they examine it and find coordinates for planet Iscandar, where the Gamilas come from, and blueprints for a warp engine and a powerful weapon, the wave motion gun.

The leader of the military decides to send the Yamato out to Iscandar to find a decontamination device, which would allow people to move back to the surface, and Kodai joins up again. He'd been an ace pilot at the time of the initial Gamilan attacks, but he left after a personal tragedy. He is angry at Okita, because he believes Okita sacrificed his brother in order to escape. He meets up with his old buddies, the Black Tigers.

The name for the ship wasn't chosen at random. The Yamato was a WW2 battleship that was sent on a mission to defend Okinawa until it was destroyed, to give the Japanese people a last hope (as Kodai explains in a speech at the end). Pasting from wikipedia, Yamato's symbolic might was such that some Japanese citizens held the belief that their country could never fall as long as the ship was able to fight. The word Yamato also carries significance in Japan as a poetic name for the country and remains as a metaphor for the end of the empire.

While they're in transit, they're repeatedly attacked by Gamilan forces, and when they eventually make it to Iscandar, they find something unexpected. I won't spoil the ending, but I saw it coming, because I've seen the old anime movies.

At times, it's goofy. I couldn't help but laugh at the Star Trek-like "the bridge is shaking, everybody lean to the right and look like you're hanging on" effects, but the CG was really nice. I couldn't figure out why they made a land assault at Iscandar rather than stay in their nice ships, other than to allow for heroism and sacrifice. The zero-g-love scene made me giggle (mainly because it put this song in my head). But it's based on one of the classics of science fiction anime, and even as it changes and updates a few things (like the Gamilans being energy beings (they're still blue, though) and the Cosmo Zero having something like a Valkyrie's Gerwalk mode, probably just because it looks cool), it's still the story Matsumoto wrote at its core.

It's worth seeing, if you know how to get hold of it. There's no word yet of an English release.
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Movie review: Space Battleship Yamato (2010 live action)

I imprinted on Leiji Matsumoto’s works at a very early age. I was about 5 (we only had HBO for a year), and I was watching the cartoons they showed one day. There was a kid, a space train, and this woman with long blonde hair, which was all I could remember about it until I found a VHS (remember those?) of Galaxy Express 999 at Suncoast (remember them?) when I was in college. Those were the days when you had to pay extra for the “collector’s edition,” which was Japanese audio with subtitles, because those letters were really expensive.

Back in the 80s, Matsumoto’s other main work, Space Battleship Yamato, was dubbed into English and shown on American TV as Star Blazers, renaming ace pilot Kodai Susumu to Derek Wildstar. (I almost put Rick Hunter there, but that’s what Ichijou Hikaru ended up as in Robotech, the US adaptation of Macross.) This fan site has plot summaries.

Last December, the live action movie was released in theaters, starring quite a few famous Japanese actors like Kimura Takuya (from the J-drama and movie Hero, about a lawyer, among other things). They made a few changes, notably making Dr Sado, of the bottle of sake and large orange cat, a woman, making it a little less of a sausage-fest. Still, there are only three named women on the Yamato: Sado, Mori Yuki, and the one whose name I forget but who’s one of the Black Tigers.

It’s the year 2199, and about five years ago, meteor bombs started hitting the Earth, making the surface too irradiated to live on and sending people underground to try to eke out a living. Humanity is fighting off Gamilas attacks, and everything they do, the Gamilas adapt to counter them. Captain Okita is leading an assault/defense force at Mars, and the Gamilan fleet is too strong for their weaponry. Kodai Mamoru, captain of the Yukikaze, uses his ship as a shield to allow Okita to escape and take the news to Earth.

Kodai Susumu is a scavenger. He goes out looking for metal to take to the military. While he’s out scavenging, a strange object falls from the sky and knocks off his protective gear. He picks it up and mysteriously survives the deadly radiation levels. At the same time, Okita’s ship returns. He takes the object to the military, and they examine it and find coordinates for planet Iscandar, where the Gamilas come from, and blueprints for a warp engine and a powerful weapon, the wave motion gun.

The leader of the military decides to send the Yamato out to Iscandar to find a decontamination device, which would allow people to move back to the surface, and Kodai joins up again. He’d been an ace pilot at the time of the initial Gamilan attacks, but he left after a personal tragedy. He is angry at Okita, because he believes Okita sacrificed his brother in order to escape. He meets up with his old buddies, the Black Tigers.

The name for the ship wasn’t chosen at random. The Yamato was a WW2 battleship that was sent on a mission to defend Okinawa until it was destroyed, to give the Japanese people a last hope (as Kodai explains in a speech at the end). Pasting from wikipedia, Yamato’s symbolic might was such that some Japanese citizens held the belief that their country could never fall as long as the ship was able to fight. The word Yamato also carries significance in Japan as a poetic name for the country and remains as a metaphor for the end of the empire.

While they’re in transit, they’re repeatedly attacked by Gamilan forces, and when they eventually make it to Iscandar, they find something unexpected. I won’t spoil the ending, but I saw it coming, because I’ve seen the old anime movies.

At times, it’s goofy. I couldn’t help but laugh at the Star Trek-like “the bridge is shaking, everybody lean to the right and look like you’re hanging on” effects, but the CG was really nice. I couldn’t figure out why they made a land assault at Iscandar rather than stay in their nice ships, other than to allow for heroism and sacrifice. The zero-g-love scene made me giggle (mainly because it put this song in my head). But it’s based on one of the classics of science fiction anime, and even as it changes and updates a few things (like the Gamilans being energy beings (they’re still blue, though) and the Cosmo Zero having something like a Valkyrie’s Gerwalk mode, probably just because it looks cool), it’s still the story Matsumoto wrote at its core.

It’s worth seeing, if you know how to get hold of it. There’s no word yet of an English release.

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Back from Dragon*Con

I've actually been back since Monday evening, but Tuesday my lack of sleep caught up with me in the form of a low-grade migraine (sinus pressure, headache, no appetite, mild sensitivity to light), and yesterday I had to get back into my normal routine.

I had a lot of fun, as usual, though there weren't as many panels or people I wanted to see this year. Yeah, they had Tom Felton (Draco Malfoy), but he wasn't my favorite, and I don't think he could top Matthew Lewis' panel from a few years ago. I really enjoyed Eric Flint's panel in the alternate history track about Marxism. It was a guided discussion (by a moderator, who asked questions like "How does your Marxism influence your writing?" and "How do you portray class in your works?") between him and SM Stirling (who is very much not a Marxist), which was incredibly interesting. It gave me a few things to think about for my writing.

This year I watched the parade, which I hadn't done in any of the previous five years I've gone. It's a great way to see a lot of cool costumes without much effort. Also, the whole lot of Stormtroopers bringing up the rear (yay, 501st) is a really impressive sight.

I also got my copy of Shades of Milk and Honey signed.

There weren't a whole lot of shiny things for me in the dealers halls, though I bought a t-shirt from an artist's table (it was tan! with a cute kitsune on it!) and two model kits from Gundam 00. And a statue of Ozma Lee's Valkyrie from Macross Frontier. Not much else really jumped out at me.

I really enjoy going to Dragon*Con; it's a 4-day nerd party, where you don't get judged for wanting to dress up like Superman or Batman or Zatanna or Captain Harlock or a space Marine or an alien or a zombie, vampire, werewolf, or Macho Man Randy Savage or ... you get the point. It's getting ridiculous to get hotel rooms; rumor has it the Hilton is already sold out for next year (though I'm skeptical of that). The Marriott and Hyatt sell out within hours of the block opening.

I want to attend a World Con sometime soon, but, annoyingly, the next two are Labor Day weekend. Not that I could afford to go to both even if they were different weekends, mind. 2012 is going to be in Chicago, 2013 in San Antonio. 2014 hasn't been voted on yet, but London's bid is unopposed. I can't afford to go to London, and being in London is extremely expensive (especially since it's usually 2 pounds to the dollar, and a sit-down meal will cost you 20 pounds or so). I'm not super excited about San Antonio; it's Labor Day weekend. Atlanta is hot enough, and I don't want to go someplace hotter. Which means Chicago next year is the likeliest option in the near future. I've never really visited Chicago, and depending on how things work out with the hotel and travel days, we could have a short vacation there.

Which leads to an additional problem. My oldest cat, Isis, is an evil tortie, and she has diabetes. The cat sitter we hired for last weekend had so much trouble with Her Evilness that she had to bring a second person to help hold her to get her shot, for which we owe her additional monies. It stressed Isis out badly enough that she must have had a sugar spike, because she was sick when we got home and is on two different antibiotics right now. She doesn't hate our usual cat sitter, but she's got a second job now, which gives her crazy hours, so she's not always available. Maybe by next year, she'll have enough seniority not to get the shit hours.

We need to decide fairly quickly, though. Memberships are $175 each right now, and the price goes up October 1. Blech. (I understand why they're so expensive: each World Con committee has only one chance to recoup their costs for guest transport, hotel rental, etc. I can still think it's too damned expensive.)
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Back from Dragon*Con

I’ve actually been back since Monday evening, but Tuesday my lack of sleep caught up with me in the form of a low-grade migraine (sinus pressure, headache, no appetite, mild sensitivity to light), and yesterday I had to get back into my normal routine.

I had a lot of fun, as usual, though there weren’t as many panels or people I wanted to see this year. Yeah, they had Tom Felton (Draco Malfoy), but he wasn’t my favorite, and I don’t think he could top Matthew Lewis’ panel from a few years ago. I really enjoyed Eric Flint’s panel in the alternate history track about Marxism. It was a guided discussion (by a moderator, who asked questions like “How does your Marxism influence your writing?” and “How do you portray class in your works?”) between him and SM Stirling (who is very much not a Marxist), which was incredibly interesting. It gave me a few things to think about for my writing.

This year I watched the parade, which I hadn’t done in any of the previous five years I’ve gone. It’s a great way to see a lot of cool costumes without much effort. Also, the whole lot of Stormtroopers bringing up the rear (yay, 501st) is a really impressive sight.

I also got my copy of Shades of Milk and Honey signed.

There weren’t a whole lot of shiny things for me in the dealers halls, though I bought a t-shirt from an artist’s table (it was tan! with a cute kitsune on it!) and two model kits from Gundam 00. And a statue of Ozma Lee’s Valkyrie from Macross Frontier. Not much else really jumped out at me.

I really enjoy going to Dragon*Con; it’s a 4-day nerd party, where you don’t get judged for wanting to dress up like Superman or Batman or Zatanna or Captain Harlock or a space Marine or an alien or a zombie, vampire, werewolf, or Macho Man Randy Savage or … you get the point. It’s getting ridiculous to get hotel rooms; rumor has it the Hilton is already sold out for next year (though I’m skeptical of that). The Marriott and Hyatt sell out within hours of the block opening.

I want to attend a World Con sometime soon, but, annoyingly, the next two are Labor Day weekend. Not that I could afford to go to both even if they were different weekends, mind. 2012 is going to be in Chicago, 2013 in San Antonio. 2014 hasn’t been voted on yet, but London’s bid is unopposed. I can’t afford to go to London, and being in London is extremely expensive (especially since it’s usually 2 pounds to the dollar, and a sit-down meal will cost you 20 pounds or so). I’m not super excited about San Antonio; it’s Labor Day weekend. Atlanta is hot enough, and I don’t want to go someplace hotter. Which means Chicago next year is the likeliest option in the near future. I’ve never really visited Chicago, and depending on how things work out with the hotel and travel days, we could have a short vacation there.

Which leads to an additional problem. My oldest cat, Isis, is an evil tortie, and she has diabetes. The cat sitter we hired for last weekend had so much trouble with Her Evilness that she had to bring a second person to help hold her to get her shot, for which we owe her additional monies. It stressed Isis out badly enough that she must have had a sugar spike, because she was sick when we got home and is on two different antibiotics right now. She doesn’t hate our usual cat sitter, but she’s got a second job now, which gives her crazy hours, so she’s not always available. Maybe by next year, she’ll have enough seniority not to get the shit hours.

We need to decide fairly quickly, though. Memberships are $175 each right now, and the price goes up October 1. Blech. (I understand why they’re so expensive: each World Con committee has only one chance to recoup their costs for guest transport, hotel rental, etc. I can still think it’s too damned expensive.)

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Book review: When the Tide Rises

When the Tide Rises, David Drake. 2008, Baen Books.

This is the sixth novel in Drake's RCN series. I haven't read any of the previous books, but that didn't make much difference, as far as I can tell. Perhaps I missed some of the in-jokes or references, but that's not a big deal. It stands well on its own.

In the introduction, Drake cites the memoirs of Lord Cochrane as his source/inspiration for these books. This is the same memoir that Patrick O'Brian used for his Aubrey/Maturin books, so they bear a lot of similarity.

Commander Daniel Leary is in the employ of the Republic of Cinnabar Navy, and he's assigned to a planet that's declared independence from the Alliance, Cinnabar's enemy. He makes a stop at Diamondia, a planet under siege by Alliance forces, to check in with the man in charge there and see what the most recent intel is.

Adele Mundy, Leary's signals officer and librarian-hacker-spy, meets a young man who's the grandson of her mentor. His parents have just been killed by the head of the Alliance, and he wants her help. She brings him along on the trip, even though her sociopathic servant and bodyguard Tovera thinks it's a bad idea.

Once they arrive at Bagaria, Leary is enjoined to the Bagarian fleet, and he commands them in a few raids in Alliance space. There are crosses and double-crosses, and politicking, and hardcore librarian spying.

There are a lot of details about the ships and sailing, and I will admit I skimmed them. I found it odd that starships had literal sailing masts and rigging, but it fit the book itself. I'm not sure what the sails were made of (probably described in more detail in earlier books in the series), though I remember mention of it being very thin. (Nanomaterial?) I will say that it's disheartening to read about a ship with the name of your football club (which itself is named for a ship) being sunk a few hours before they're set to take the pitch. (Sports fans are a superstitious lot. We won, btb, for the first time this season.)

There's a lot of adventure, and I really liked the hardcore traumapast librarian. If you read the Aubrey/Maturin books (Master and Commander, etc) and thought, "You know what these books need? Spaceships," the RCN series is for you. If you like Bujold's Vorkosigan books and don't mind fine attention to sailing detail, you might enjoy them, too.

The first three books are available at the Baen Free Library, beginning with With the Lightnings.
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